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Introduction to Afro-Cuban Rhythms

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About Course

Introduction to Afro-Cuban Rhythms is a comprehensive course designed for drummers and percussionists eager to explore the rich tapestry of Afro-Cuban music. Led by Jason Gianni, this course delves into the foundational rhythms and techniques that define Afro-Cuban percussion.

Throughout the course, students will study traditional patterns such as the Cha-Cha and Mambo, learning how to perform them on various percussion instruments and adapt them to the drum set. The curriculum emphasizes practical application, guiding learners through fills, transitions, and improvisational techniques that are essential to the Afro-Cuban style.

By engaging with detailed lessons and hands-on exercises, participants will develop a solid foundation in Afro-Cuban rhythms, enhancing their versatility and rhythmic proficiency.

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What Will You Learn?

  • Perform traditional Afro-Cuban rhythms, including Cha-Cha and Mambo
  • Play Afro-Cuban percussion instruments such as congas, timbales, güiro, and bongos
  • Adapt Afro-Cuban rhythms to the drum set
  • Develop techniques for fills, transitions, and improvisation within the Afro-Cuban style
  • Understand the historical context and evolution of Afro-Cuban percussion

Course Content

Cha-Cha #1
Jason gives a quick rundown on the history of Afro Cuban Rhythms as well as the most common instruments used and how they were moved to the drum kit.

  • History of Afro-Cuban Percussion
    07:51
  • Congas
    07:02
  • Timbales
    07:15
  • Güiro and Bongos
    06:21

Cha-Cha #2
Jason explains the Cha-Cha pattern and how to play it in the drum set with its respective fills and transitions.

Mambo #1
Jason shows how to play the Mambo rhythm in Timbales, Congas and Bells, also explains the important Cascara pattern played on the timbales.

Mambo #2
Jason shows how to apply the Mambo patterns that were played in Timbales and Congas in previous videos to the Drum set

Cha-Cha and Mambo Combined
Jason shows how to combine the Cha-Cha and Mambo patterns, and also some fills and transitions that will let us go from Cha-Cha to Mambo or from Mambo to Cha-Cha

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