Mixing Rock

About Course

Richie Beretta is a professional producer and engineer that has worked with some of the biggest names in the music industry. He has credits with Beyonce, Major Lazer and Dillon Francis to name a few. In this course, Richie demonstrates how to mix Rock. In 26 lessons, Richie will detail how to use multiple mixing techniques to elevate your tracks to the next level.

This content is for Essential, Pro Path Premium, All-Access Membership Subscription, and Pro Path Basic members only.

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Course Content

Starting Your Rock Mix
Richie explains how to use your knowledge of Rock to identify typical styles and how to identify trends. As well as importing multitracks and track color coding in Pro Tools.

1. Genre Semiotics: Rock

02:04
2. Mixing Game Plan

02:48
3. Importing Audio

05:40
4. Session Organization: Color Coding

07:33
5. Session Organization: Routing Auxes

05:25
6. Where To Start A Mix

01:31

Mixing and Processing Techniques
Richie discusses the differences between Parallel Compression vs. Direct Compression, the differences of a VU meter and a digital DAW peak meter as well as how processing varies for different guitars.

Mixing The Low End
Richie explains processing the low end of the kick and bass as well as how to complete the rest of your drum kit and the advantages of mixing through the bus compression.

About Course

This content is for Essential, Pro Path Premium, All-Access Membership Subscription, and Pro Path Basic members only.

What Will You Learn?

Course Content

Starting Your Rock Mix
Richie explains how to use your knowledge of Rock to identify typical styles and how to identify trends. As well as importing multitracks and track color coding in Pro Tools.

1. Genre Semiotics: Rock

2. Mixing Game Plan

3. Importing Audio

4. Session Organization: Color Coding

5. Session Organization: Routing Auxes

6. Where To Start A Mix

Mixing and Processing Techniques
Richie discusses the differences between Parallel Compression vs. Direct Compression, the differences of a VU meter and a digital DAW peak meter as well as how processing varies for different guitars.

7. Parallel VS. Direct Compression

8. Metering And Low End Balance

9. Guitar Processing: Telecasters

10. Guitar Processing: Stratocasters

Mixing The Low End
Richie explains processing the low end of the kick and bass as well as how to complete the rest of your drum kit and the advantages of mixing through the bus compression.

11. Low End Processing: Kick

12. Low End Processing: Bass

13. Completing the Drums: Snares

14. Completing the Drums: Rest Of The Kit

15. The Mix Bus

16. Mix Bus Compression

Mixing Your Rock Vocals
Richie explains how to choose the loudness of a vocal as well as analog processing.

17. Vocal Balancing And Manual Gain Adjustment

18. De-Essing

19. Digital Vocal Processing

20. Analog Processing

Adding Effects To Your Mix
Richie discusses plugin substitutes, as well as vocal delay, widening, and reverb on the vocals throughout your song.

21. Plugin Substitutes

22. Vocal Delay And Widening

23. Reverb

24. Conclusion

About Course

This content is for Essential, Pro Path Premium, All-Access Membership Subscription, and Pro Path Basic members only.

What Will You Learn?

Course Content

Starting Your Rock Mix Richie explains how to use your knowledge of Rock to identify typical styles and how to identify trends. As well as importing multitracks and track color coding in Pro Tools.

1. Genre Semiotics: Rock

2. Mixing Game Plan

3. Importing Audio

4. Session Organization: Color Coding

5. Session Organization: Routing Auxes

6. Where To Start A Mix

Mixing and Processing Techniques Richie discusses the differences between Parallel Compression vs. Direct Compression, the differences of a VU meter and a digital DAW peak meter as well as how processing varies for different guitars.

7. Parallel VS. Direct Compression

8. Metering And Low End Balance

9. Guitar Processing: Telecasters

10. Guitar Processing: Stratocasters

Mixing The Low End Richie explains processing the low end of the kick and bass as well as how to complete the rest of your drum kit and the advantages of mixing through the bus compression.

11. Low End Processing: Kick

12. Low End Processing: Bass

13. Completing the Drums: Snares

14. Completing the Drums: Rest Of The Kit

15. The Mix Bus

16. Mix Bus Compression

Mixing Your Rock Vocals Richie explains how to choose the loudness of a vocal as well as analog processing.

17. Vocal Balancing And Manual Gain Adjustment

18. De-Essing

19. Digital Vocal Processing

20. Analog Processing

Adding Effects To Your Mix Richie discusses plugin substitutes, as well as vocal delay, widening, and reverb on the vocals throughout your song.

21. Plugin Substitutes

22. Vocal Delay And Widening

23. Reverb

24. Conclusion

Starting Your Rock Mix
Richie explains how to use your knowledge of Rock to identify typical styles and how to identify trends. As well as importing multitracks and track color coding in Pro Tools.

Mixing and Processing Techniques
Richie discusses the differences between Parallel Compression vs. Direct Compression, the differences of a VU meter and a digital DAW peak meter as well as how processing varies for different guitars.

Mixing The Low End
Richie explains processing the low end of the kick and bass as well as how to complete the rest of your drum kit and the advantages of mixing through the bus compression.

Mixing Your Rock Vocals
Richie explains how to choose the loudness of a vocal as well as analog processing.

Adding Effects To Your Mix
Richie discusses plugin substitutes, as well as vocal delay, widening, and reverb on the vocals throughout your song.