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Mixing Rock

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About Course

This course is designed to help you develop the technical and creative skills necessary to mix professional-sounding rock music. Under the guidance of producer and engineer Richie Beretta, you’ll explore the unique mixing challenges presented by live drums, electric guitars, bass, and dynamic vocals—the core components of the rock genre. The course starts with foundational concepts like gain staging, session setup, and bussing strategies for efficient workflow.

From there, the focus shifts to shaping the energy and tone of your mix. You’ll learn how to balance drum overheads and room mics, EQ electric guitars to sit well in dense arrangements, and apply compression that preserves transients while adding punch. Richie also demonstrates vocal mixing techniques specific to rock—ensuring presence and grit without overpowering the mix. Effects like slap delay, plate reverb, and saturation are also covered to help glue your tracks together with character.

By the end, you’ll have a complete, nuanced understanding of how to approach rock mixes with confidence. Whether you’re working on indie, classic, punk, or modern alternative rock, this course will help you maintain the raw emotion of the genre while achieving a sonically polished and competitive mix.

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What Will You Learn?

  • Organizing and prepping a rock session for efficient mixing
  • Balancing close and ambient drum mics for impact
  • EQ and compression techniques for distorted guitars
  • Mixing expressive rock vocals with presence and power
  • Using effects like reverb and delay to add depth and space
  • Finalizing a mix that retains energy and cohesion across playback systems

Course Content

Starting Your Rock Mix
Richie explains how to use your knowledge of Rock music to identify typical mixing styles. Additionally, Richie covers importing multitracks and track color coding in Pro Tools.

  • 1. Genre Semiotics: Rock
    02:04
  • 2. Mixing Game Plan
    02:48
  • 3. Importing Audio
    05:40
  • 4. Session Organization: Color Coding
    07:33
  • 5. Session Organization: Routing Auxes
    05:25
  • 6. Where To Start A Mix
    01:31

Mixing and Processing Techniques
Richie discusses the differences between Parallel Compression and Direct Compression, the differences of a VU meter and a digital DAW peak meter as well as how processing varies for different guitars.

Mixing The Low End
Richie explains processing the low end of the kick and bass as well as how to complete the rest of your drum kit and the advantages of mixing through the bus compression.

Mixing Your Rock Vocals
Richie explains how to choose the loudness of a vocal as well as analog processing.

Adding Effects To Your Mix
Richie discusses plugin substitutes, as well as vocal delay, widening, and reverb on the vocals throughout your song.

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